Grand Central Editors: What They Like

My agent handed me a copy of Grand Central Publishing's latest GCP at a Glance brochure, and I found some interesting reading in it. For starters, the profile of their editors is very revealing, not only about what they like and look for in a new book, but also about what we can assume many editors are searching for.

Want a peek? Here you go.

Executive Veep and Publisher Jamie Raab says she's drawn to "...thrillers that truly terrify me, love stories that move me deeply, books of humor that make me laugh all the way through and political books (all sides of the spectrum) that ignite my outrage. I love books with strong storylines and distinctive voices..."

Editor-in-Chief Deb Futter, in talking about what she's been acquiring lately and why: "...all of these books have one thing in common: a strong pull on my emotions--which comes out either as laughter or tears."

Veep and Twelve imprint Publisher Jonathan Karp says, "Ultimately, great storytelling is what matters most, along with authority and the kind of obsession that can only come from writers who are truly passionate about their subjects."

Executive Editor Caryn Karmatz Rudy, editorial director of the company's 5 Spot imprant, likes "...fresh, original voices in fiction and nonfiction for smart women."

Mitch Hoffman, Executive Editor, says, "...what I look for above all else are great storytellers--writers who entertain us, who inform us, and inspire us."

Senior Editor Karen Kosztolnyik is on the prowl for "...an intriguing voice, great storytelling, and a rollercoaster of emotion."

Associate Editor Michele Bidelspach wants "...fiction with a strong voice, unforgettable characters, and a great hook: think Emily Griffin, Jodi Picoult, and Jane Green."

Well, I think you get the point. After condensing these editors into a single palatable bite-sized package, what you come up with is simple: Strong Literary Voice. Great Storytelling. Passionate Writing.

And if you narrow these elements down to the single most commonly mentioned and sought-after element, you can't help but come up with "strong literary voice."

How's your own literary voice these days? If you're not sure, you'd better think about strengthening it. To find out more, check out AmSAW's "Writing Right," a complete compendium on how to write better, how to write more successfully, and how to get what you write published. All for gratis.

Fair enough?

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